Not only inquisitorial but also civil mechanisms of repression. The Counter-Reformation was characterized by Severely punished for transgressing the norms expected of women-and Sor Juana faced the very real possibility of being Sermon"], she admits that, given the choice, she would have becomeĪ theologian. In her Critique of a Sermon ["Crisis de un Struggle to fulfill what seemed an impossible way of life for a woman of Sor Juana's personal situation testifies to a lifelong Point of view of the hard-line orthodoxy of the Inquisition. Virgin is decidedly unorthodox: a potentially monstrous paradox from the Without being heretical, the nun's representation of the Suggestive phrase that applies as well to a Sorjuanian representation of For Gracian, "paradoxes are monsters of truth" Unir a fuerza deĭiscurso dos contradictorios extremos, extremo arguye de sutileza"]
["Este es el concepto que mas le cuesta al ingenio duplica elĪrtificio. To unite by the power ofĭiscourse two contradictory extremes, speaks for great subtlety"
It squeezes to the point of contradiction. "quite hard for the wit to grasp it duplicates artifice. "ponderings of contrariety," explaining that the concept is Ingenio-Discurso VIII] characterizes baroque paradox as the (1601-1658), who in The Art of Worldly Wisdom [Agudeza de arte e With the ideas of Spanish Baroque philosopher Baltasar Gracian y Morales Of theme the light versus dark of chiaroscuro. Sprightliness and artificiality of form versus earnestness and gravity Reality appearance versus substance marrow versus cortex It is structured around such antinomies as deceit versus Sor Juana's Marian paradox can be readily explained within theĬontext of the Baroque as a Counter-Reformist aesthetic of contrasts andĬontradictions. Her Mary is paradoxical: simultaneously revolutionary and (2) time and again Sor Juana turns to the Virgin Mary, casting her as aįoremother who validates intellectual endeavor from within the CatholicĮstablishment. Intellectual vocation and embodying the ideal of the pious model nun, Torn between being an atypical nun in passionate pursuit of an Intellectual inclination and the authoritarian religious norms of the Her prolific oeuvre manifests the great clash between personal Herself a Hieronymite nun until her death at forty-three years of age.
She was an intellectual prodigy whoĮntered the Convent of the Order of Saint Jerome in 1669 and professed One dedicated to an impassioned defense of women's intellectualĭignity and right to education. Three hundred years after her death, Sor Juana nowīoasts a well-deserved reputation as the first Latin American feminist, Poet of the Spanish Baroque and the first great poet of Latin AmericanĬolonial literature. Sor Juana Ines de la Cruz (1651-1695) is considered the last great APA style: Marian devotion and religious paradox in Sor Juana Ines De La Cruz.Marian devotion and religious paradox in Sor Juana Ines De La Cruz." Retrieved from
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MLA style: "Marian devotion and religious paradox in Sor Juana Ines De La Cruz." The Free Library.
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